Caitlin Margaret Kelly (b.1973) dismantles things and puts them back together, all while injecting a new DNA into the objects with which she is working. Influenced by her several decades as a newspaper photojournalist, most of Kelly’s preferred materials come from the public sphere. Kelly likes to inject absurdity and humor into her work, commenting on the unsettling realities of perceptions and representations to, for, and about women. Kelly has a MFA in experimental and documentary arts from Duke University.
