As an artist, Delphine Fawundu explores identities through the interpretation of cultural expression and portraiture.  
 
 
In 2010, Delphine was commissioned to produce a mini-documentary and solo photography exhibition titled, “Tivoli: A Place We Call Home: A Community Faces Gentrifcation,” at the Brooklyn Historical Society. She was also commissioned to produce a media campaign and solo traveling exhibition for the Women's Institute of the GMHC titled: “Touched: Black & Latina Women Living with HIV.”
 
Mrs. Fawundu's documentary-styled photography has been featured in the following books: Unbelievable: Te Life, Death, and Afterlife of the Notorious B.I.G by Cheo Hodari Coker (Vibe Books, 2004), Black: A Celebration of Culture by Deborah Willis (Hylas Publishing, 2004), Enduring Visions: Women’s Artistic Heritage Around the World by Abby Remer (Davis Publications, 2001) and Refections in Black: A History of Black Photographers 1840-Present by Deborah Willis (Norton, 2000).
Mrs. Fawundu’s work are in collections at the Brooklyn Museum of Art, Danny
Simmons/Corridor Gallery, The Brooklyn Historical Society, Catherine Edelman Gallery, and the Museum of Contemporary Art at the University of Sao Paulo in Brazil.
 
Delphine is currently working on a multi-media project surveying West African hip-hop and urban culture.  She embarked on this journey particularly interested in hip-hop as a use for social change, the lyrical dynamics, style, and the various approaches to it's musical production.
 
, Delphine has traveled to Nigeria, Ghana, Senegal, South Africa, Sierra Leone, Spain, Egypt, Jamaica, The Netherlands, England, France, Germany, Denmark, and Cuba creating personal projects. Delphine has received numerous fellowships and grants from foundations such as the Open Society Institute, The Puffin Foundation, Fund for Teachers, National Association for Black Journalist, and the Brooklyn Historical Society.