Joyce King

A child of the South and a descendant of Eli Whitney, I grew up in a small North Carolina town with a Mom who sewed my clothes as did her mother before her. Learning to sew while I was in middle school was my introduction to soft sculpture, though I did not recognize it as such until I was in design school.

As a lifelong artist and designer, I have worked in many media, but the call of textiles always prevails. Textiles are part of a universal language that cuts across cultures worldwide, providing beauty, utility, creativity, and symbols for special occasions: births, initiations, proms, ordinations, and weddings. Fabric is a metaphor for how many separate strands (fragile threads) can come together to make something strong and lasting.

I strive to re-use thread, fabric, and findings in my work whenever possible, in opposition to the escalating trend of consuming too much cheap fast fashion, often without realizing the devastating consequences for growers, laborers, consumers, and particularly the environment.




The Office of Art in Embassies is not responsible for, and does not endorse, any content posted within the service. The Office of Art in Embassies does not have any obligation to prescreen, monitor, edit, or remove any content.